Gottfried Semper’s concept of Stoffwechsel continues to attract attention from scholars and practitioners, but the detailed context in which it emerged is little examined. Fascination with material culture and reclassification of artefacts as means of producing knowledge in the public domain were major aspects of this context. This paper will examine these with the focus on the elements of domesticity in the early formulation of Semper’s theory of architecture in the manuscript, Practical Art in Metal and Hard Materials (1852).

中文翻译：

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森珀建造的房子

Gottfried Semper 的 Stoffwechsel 概念继续引起学者和实践者的关注，但其出现的详细背景却鲜有研究。对物质文化的迷恋和将手工艺品重新分类作为在公共领域生产知识的手段是这种情况的主要方面。本文将重点研究这些，重点是在手稿《金属和硬材料的实用艺术》（1852 年）中 Semper 的建筑理论的早期表述中的家庭元素。