Abstract In 2015 Het Nieuwe Instituut in Rotterdam programmed the exhibition 1:1 Period Rooms by Andreas Angelidakis, an environment featuring six evocations of historical period rooms, gradually evicted from the Stedelijk Museum as it adopted the white cube convention. This article interprets the exhibition, its six period room-white cube permutations, and Andreas Angelidakis’s multiple authorial identity as an architect–artist–curator by positioning them at the crossroads of three interlocking contemporary 1:1 exhibition practices. The show is first contextualized within a current trend of 1:1 exhibition structures in architecture exhibitions increasingly used to address tensions between image and construction in the representation of architecture itself. The second and third reference fields are the institution–critical interventions on the exhibition space in artistic and curatorial projects from the late 1960s onwards, and the more recent reconstructions of historical displays and re-exhibitions of significant exhibitions.

中文翻译：

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非自然化真人大小的建筑展示：Andreas Angelidakis 的 1:1 时期房间

摘要 2015 年，鹿特丹 Het Nieuwe Instituut 策划了 Andreas Angelidakis 的 1:1 Period Rooms 展览，该环境以六个历史时期房间的唤起为特色，随着市立博物馆采用了白立方公约，它逐渐被逐出。本文通过将展览、其六个时期的房间-白色立方体排列以及 Andreas Angelidakis 作为建筑师-艺术家-策展人的多重身份定位于三个相互关联的当代 1:1 展览实践的十字路口来解读展览。该展览首先在建筑展览中 1:1 展览结构的当前趋势中被情境化，越来越多地用于解决建筑本身表现中图像和结构之间的紧张关系。