ABSTRACT Even though the sonata spread from Italy throughout Europe no later than the second decade of the seventeenth century, it seems to have been introduced into England only after the Restoration. One of the reasons for this was the popularity of the fantasia suite, which remained in circulation both inside and outside the court. The absorption of the Italian sonata in England was a gradual process, but it eventually came to occupy a prominent position within English musical life after Corelli’s music arrived at the turn of the century, nearly sweeping away any kind of English instrumental music. Nevertheless, when and how the sonata was introduced into England is still not fully understood. An examination of two particular early trio sonatas written in England can help to understand how the Italian sonata was introduced in England and the extent of its influence on early English sonatas in the latter part of the seventeenth century.

中文翻译：

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恢复英格兰的奏鸣曲：从幻想曲组曲到早期的英国三重奏奏鸣曲

摘要 尽管奏鸣曲不迟于 17 世纪第二个十年从意大利传遍欧洲，但它似乎是在复辟之后才传入英国的。造成这种情况的原因之一是幻想曲套房的受欢迎程度，该套房在球场内外仍然流通。意大利奏鸣曲在英国的吸收是一个渐进的过程，但在世纪之交科雷利的音乐到来后，它最终在英国音乐生活中占据了显着的地位，几乎席卷了任何一种英国器乐。尽管如此，奏鸣曲何时以及如何被引入英国仍不完全清楚。