Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov,Journal of Musicological Research

当前位置： X-MOL 学术 › Journal of Musicological Research › 论文详情

Our official English website, www.x-mol.net, welcomes your feedback! (Note: you will need to create a separate account there.)

Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov
Journal of Musicological Research ( IF 0.4 ) Pub Date : 2020-07-09 , DOI: 10.1080/01411896.2020.1787794
Francis Maes ₁

Affiliation

The rejection of Boris Godunov for the lack of a female part led Modest Musorgskii to revise the opera to include the historical character of Marina Mniszech. The resulting “Polish” Act has been re...

中文翻译：

所有的女人都去哪儿了？论鲍里斯·戈杜诺夫原著当代作品中女性主体的缺失

鲍里斯·戈杜诺夫（Boris Godunov）因缺少女性角色而被拒绝，这导致莫德斯特·穆索尔斯基（Modest Musorgskii）修改了歌剧，以包括玛丽娜·姆尼谢赫（Marina Mniszech）的历史人物。由此产生的“波兰”法案已被重新...

更新日期：2020-07-09

点击分享查看原文

点击收藏

阅读更多本刊最新论文