ABSTRACT This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia. Using new technologies alongside established methods for rock art documentation, we discuss the complexity and uniqueness of Anbangbang Gallery as an icon of Australian rock art. We have taken a comprehensive approach to our investigations, deliberately linking new technologies and scientific analysis with other archaeological and anthropological research methods. In particular, using evidence from a detailed site recording, oral histories, and pXRF analysis, we explore aspects of the site chronology, the nature of painting activity, and the retouching and repainting of earlier imagery. The findings force us to rethink the existing interpretative narrative for Anbangbang Gallery, the motivations behind previously held beliefs relating to recent rock art, and the implications this has had for ongoing conservation work in the region.

中文翻译：

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卡卡杜国家公园安邦邦画廊​​岩石艺术的新见解

摘要本文介绍了对澳大利亚卡卡杜国家公园Burrungkuy（Nourlangie）遗址群中的Anbangbang画廊的最新研究结果。结合新技术和既定的岩石艺术文献记录方法，我们讨论了作为澳大利亚岩石艺术偶像的安邦邦画廊​​的复杂性和独特性。我们对调查采取了全面的方法，故意将新技术和科学分析与其他考古学和人类学研究方法联系起来。特别是，使用来自详细现场记录，口述历史和pXRF分析的证据，我们探索了现场年代顺序，绘画活动的性质以及早期图像的修饰和重绘方面。这些发现迫使我们重新思考安邦邦画廊​​现有的解释性叙述，