In his article “Albert Camus’ social, cultural and political migrations,” Benaouda Lebdai analyzes Albert Camus’ posthumous autofiction The First Man, a fascinating self-representation and self -telling. Found after his deadly car accident, the manuscript adds a tragic dimension to the disguised autobiography. This paper demonstrates Camus’ capacity to migrate from one world to another, looks into the reasons behind such attitudes and stresses the significance of an outstanding life account within the on-going debate between France and Algeria about his political stands during colonial Algeria. His vision of the indigenous people, the Algerians, and of the future of colonial Algeria, is addressed in terms of cultural and political memory. The First Man is revisited to understand his psychological and social migrations, which reveal a deep trauma. Finally, this analysis focuses on a colonial time and the exclusive relation between Algeria and France, from a cultural and political viewpoint, and it discusses the significance of “life Writing” through “self-representation” with its impact on a meaningful comprehension of History, culture and social memory. Benaouda Lebdai, “Albert Camus’ Social, Cultural and Political Migrations” page 2 of 8 CLCWeb: Comparative Literature and Culture 20.5 (2018): Special Issue Voices of Life, Illness and Disabilities in Life Writing and Medical Narratives. Ed. I-Chun Wang, Jonathan Locke Hart, Cindy Chopoidalo, and David Porter

中文翻译：

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阿尔伯特·卡缪斯的社会，文化和政治移民

Benaouda Lebdai在他的文章“阿尔伯特·卡缪斯的社会，文化和政治移民”中，分析了阿尔伯特·卡缪斯的遗auto自传小说《第一人》，这是一种引人入胜的自我表现和自我讲述。在他致命的车祸后被发现，手稿为伪装的自传增添了悲剧性。这篇论文展示了加缪从一个世界迁移到另一个世界的能力，探讨了这种态度背后的原因，并强调了在法国和阿尔及利亚之间关于他在殖民地阿尔及利亚期间的政治立场进行的持续辩论中，出色的人生经历的重要性。他对土著人民，阿尔及利亚人以及对殖民地阿尔及利亚的未来的看法是通过文化和政治记忆来阐述的。重新审视了“第一人”，以了解他的心理和社会迁移，这显示出深深的创伤。最后，该分析从文化和政治角度着眼于殖民时期和阿尔及利亚与法国之间的排他性关系，并讨论了通过“自我代表”的“生活写作”的意义及其对历史的有意义理解的影响。 ，文化和社会记忆。Benaouda Lebdai，“阿尔伯特·加缪的社会，文化和政治移民”，第2页，共8页CLCWeb：比较文学和文化20.5（2018）：生活写作和医学叙事中关于生命，疾病和残疾的专刊。埃德 I-Chun Wang，Jonathan Locke Hart，Cindy Chopoidalo和David Porter