ABSTRACT This article re-examines Charles Baudelaire’s poetry and his reputation for obscenity in the context of the rise of nude photography in France in the 1850s. It argues that, despite being accused of obscenity in 1857, Baudelaire was reacting against, rather than participating in, the rapid evolution of representational techniques, particularly those of the body, that came about with the invention of photography. In response to photography, Baudelaire uses metaphor to recover the naked poetic body from the obscene photograph’s threat of non-signification.

中文翻译：

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鲍德莱的尸体，或纠正裸体摄影的错误

摘要本文重新审视了1850年代法国裸体摄影兴起的背景下，查尔斯·鲍德莱尔（Charles Baudelaire）的诗歌及其在淫秽方面的声誉。它认为，尽管鲍德莱尔在1857年被指控淫秽，但他对摄影技术的发明所带来的代表性技术（尤其是人体技术）的迅速发展做出了反应，而不是参与其中。作为对摄影的回应，波德莱尔使用隐喻从淫秽照片的非象征性威胁中恢复裸露的诗意身体。