Abstract This article traces the relationships between Jane Hammond’s painting and John Ashbery’s poetry, focusing particularly on Hammond’s sixty-two painting series, The John Ashbery Collaboration, and the poet’s concurrent volume, And the Stars Were Shining. Both artists have significant debts to, and at the same time doubts about, Surrealism, and these conflicts and congruencies lead to a Neo-surrealist aesthetic that revises various Surrealist techniques of collage, collection, and recombinatory practice.

中文翻译：

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新的（现实）现实主义：简·哈蒙德和约翰·阿什伯里的重组艺术

摘要本文追溯了简·哈蒙德的绘画与约翰·阿什伯里的诗歌之间的关系，特别着重于哈蒙德的六十二幅绘画系列《约翰·阿什伯里的合作》，以及诗人的并发作品《星星闪耀》。两位艺术家都对超现实主义负有巨大的债务，同时又对超现实主义产生怀疑，这些冲突和一致性导致了新超现实主义美学的出现，该美学修改了各种超现实主义的拼贴，收藏和重组实践技术。