This summer, the online journal 19: Interdisciplinary Studies in the Long Nineteenth Century published a bumper crop of interrelated material which is essential reading for all those whose interests lie in the study of women, writing and art history. Titled Old Masters, Modern Women the volume considerably expands the available material on women writers on art in the long nineteenth century, and includes work by several of the current authorities in this area — Hilary Fraser, Julie Sheldon and Meaghan Clarke — and a dozen other researchers some of whom have published their PhD research. The range of the long nineteenth century frames a period when what we would now recognize as art historical writing was associated less with universities and museums and more with ritualized travel (the Grand Tour) and writing for a thriving commercial press. That significant numbers of women contributed to literary production in nineteenth century England is well known particularly in relation to the study of the novel; this publication is an attempt to broaden the recognition of women’s contribution to the evolving discourses of art criticism and art history during the period. Most of the essays are focussed around the output of one or two authors, and Old Masters, Modern Women comprises in addition to the main contents, a series of short biographical essays on some of the key authors studied: the best known include Mary Berenson (d. 1945), Elizabeth Eastlake (d. 1893), Anna Jameson (d. 1860) and Maria, Lady Calcott (d. 1842). The special issue is itself, then, a kind of biographical compendium Maria Alambritis, Susanna Avery-Quash and Hilary Fraser, eds, ‘Old Masters, Modern Women’, Special Issue of 19: Interdisciplinary Studies in the Long Nineteenth Century, 28, 2019, 10.16995/ntn.857

中文翻译：

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欧洲漫长的 19 世纪艺术史：妇女、老大师和新情妇

今年夏天，在线期刊 19：19 世纪的跨学科研究发表了大量相关材料，对于所有对女性、写作和艺术史的研究感兴趣的人来说，这是必不可少的阅读材料。该卷题为《古代大师，现代女性》，极大地扩展了关于 19 世纪漫长的艺术女性作家的可用资料，包括该领域几位当前权威的作品——希拉里·弗雷泽、朱莉·谢尔顿和梅根·克拉克——以及其他十几个人的作品研究人员中的一些人发表了他们的博士研究。在漫长的 19 世纪范围内，我们现在认为艺术史写作与大学和博物馆的联系较少，而更多地与仪式化的旅行（大旅行）和为蓬勃发展的商业出版社写作有关。众所周知，在 19 世纪英国，大量女性为文学创作做出了贡献，尤其是在小说研究方面；该出版物试图扩大对女性对这一时期艺术批评和艺术史不断发展的话语的贡献的认识。大多数散文都集中在一个或两个作者的作品上，而古典大师、现代女性除了主要内容外，还包括一系列关于所研究的一些主要作者的简短传记散文：最著名的包括玛丽·贝伦森（Mary Berenson）（卒于 1945 年）、伊丽莎白·伊斯特莱克（卒于 1893 年）、安娜·詹姆森（卒于 1860 年）和玛丽亚·卡尔科特夫人（卒于 1842 年）。那么，特刊本身就是一种传记纲要 Maria Alambritis、Susanna Avery-Quash 和 Hilary Fraser，编辑，“老大师，现代女性”，