ABSTRACT This essay argues for the intellectual ethos of cosmopolitanism shared in the salon culture of Germaine de Staël's Enlightenment centre at Coppet and reflects on the overlooked significance of a cosmopolitanism rooted in the host country (i.e. Switzerland) and played out domestically through dialogues and writing. Furthermore, this essay suggests that the cosmopolitan dimension surrounding Coppet acted as an inspiration for Staël's second novel Corinne, or Italy (1807), a European best-seller which not only sheds light on the society of Napoleonic Europe, but also exposes links between British nationalism and provincialism with Italian cosmopolitanism; Corinne's multilingual conversations with her cosmopolitan improvisations; and the interplay between the domestic and the cosmopolitan heroine ultimately embodied by the character of the child Juliet.

中文翻译：

---

Germaine de Staël 的 Coppet 和 Corinne 或意大利的国内世界主义

摘要 本文论证了 Germaine de Staël 位于 Coppet 的启蒙中心沙龙文化中所共享的世界主义思想精神，并反思了植根于东道国（即瑞士）并通过对话和写作在国内发挥作用的世界主义被忽视的重要性。此外，这篇文章表明，围绕 Coppet 的世界性维度是 Staël 的第二部小说 Corinne 或意大利（1807 年）的灵感来源，这是一本欧洲畅销书，不仅揭示了拿破仑时代的欧洲社会，还揭示了英国与英国之间的联系。民族主义和地方主义与意大利世界主义；Corinne 的多语言对话与她的国际化即兴表演；