Abstract This article focuses on the controversy surrounding bell hooks and Lemonade to contend with the neoliberal constraints of digital, feminist, public intellectual argumentation. I argue that hooks’s critique reveals her killjoy rhetorical style. Drawn from Sara Ahmed’s theorization of the feminist killjoy, hooks’s killjoy style provides a rhetorical interruption that reshapes the affective orientations of feminist communities. Its snappy affect opens up the potentiality for critical feminist theory amid the challenges of neoliberalism.

中文翻译：

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柠檬还是柠檬水？碧昂斯、基尔乔伊风格和新自由主义

摘要 本文关注围绕钟钩和柠檬水的争议，以应对数字、女权主义和公共知识分子论证的新自由主义约束。我认为 hooks 的批评揭示了她的 killjoy 修辞风格。从 Sara Ahmed 的女权主义杀戮理论中汲取灵感，Hooks 的杀戮风格提供了一种修辞中断，重塑了女权主义社区的情感取向。在新自由主义的挑战中，其活泼的影响为批判女权主义理论开辟了潜力。