The figure of Queen Nzinga Mbandi continues to be appreciated in fictional and/or historical narratives as a myth of postcolonial Angolan identity, allowing a continuous approach as to what concerns the modes of cultural representation. In this article, the works of Manuel Pedro Pacavira, Nzinga Mbandi (1975), Pepetela, A gloriosa familia: o tempo dos flamengos (1997) and Jose Eduardo Agualusa, A Rainha Ginga e de como os africanos inventaram o mundo (2014) will be analyzed, as these authors, in different moments of the recent Angolan history, look at this emblematic figure, drawing on historical information produced by Cavazzi, Cadornega or Jean Louis Castilhon, among others. The works now in analysis reiterate the mythical figure of resistance to the European invaders, which was Nzinga Mbandi, or a strong orientation towards the nationalist exaltation supported by it, an evident strategy which, by the rescue of figures and cultural practices, is defined as a means to affirm negritude.

中文翻译：

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Nzinga Mbandi：从故事到神话

恩辛加·姆班迪皇后的形象在虚构和/或历史叙事中继续受到人们赞誉，成为后殖民安哥拉身份认同的神话，从而使人们能够对涉及文化表现形式的方式采取持续的态度。在本文中，曼努埃尔·佩德罗·帕卡维拉（Manuel Pedro Pacavira），恩辛加·姆班迪（Nzinga Mbandi）（1975），佩佩特拉（Pepetela），《家庭的荣耀》（A gloriosa familia：o tempo dos Flamengos）（1997）和何塞·爱德华多·阿瓜卢萨斯（Jose Eduardo Agualusa）的作品，《雨果银杏》（Rainha Ginga e de como os africanos inventaram o mundo）（2014）这些作者在安哥拉近期历史的不同时期进行了分析，以Cavaazzi，Cadornega或Jean Louis Castilhon等人提供的历史信息来看待这个标志性人物。现在进行分析的作品重申了抵抗欧洲侵略者的神话人物，他们是Nzinga Mbandi，