The paper examines Hildegard's use of metaphors in her visions of the human fall, and the way she combined the biblical motif of Original Sin with the philosophical question of a soul's embodiment, particularly in her moral play, Ordo virtutum, but also in her medical and visionary writings. The metaphor of the cloud sometimes blends with the metaphor of clothing (as in, "to clothe"), since the corporeal vestment of the soul before the Fall is said to resemble a cloud of light. Both metaphors are present in Hildegard's other works, particularly the image of the cloud, which is frequently used to illustrate cosmological implications of Original Sin. The metaphor of clothing, on the other hand, reveals parallels with certain Christian Gnostic revelations, blended with the Neo-Platonic doctrine of the soul as enslaved to the body.

中文翻译：

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云与衣：Bingen隐喻人类灵魂堕落的Hildegard

本文考察了希尔德加德在人类堕落的视野中对隐喻的运用，以及她将《原罪》的圣经主题与灵魂体现的哲学问题相结合的方式，特别是在她的道德戏剧《鄂尔多斯生命线》，医学以及有远见的著作。云的隐喻有时与服装的隐喻融合在一起（如“穿衣服”），因为据说秋天来临之前灵魂的外衣就像光云一样。这两个比喻都存在于希尔德加德的其他作品中，尤其是云的图像，该图像经常被用来说明原始罪的宇宙学含义。另一方面，服装的隐喻揭示了某些基督教诺斯底启示的相似之处，