In this article we understand the Romanian traditional blouse IA as a multi-dimensional semiotic object, with a complex semiotic structure. We will examine the structure and interpretation of semiotic borders and white spaces on IA , from the perspective of Lotman’s semiotic theory of culture. The white spaces found on our shirts may carry out messages equally important as those expressed by the sewn signs. Not only they define the rhythm, allowing the patterns to breathe, but sometimes they have their own story to tell. The white spaces also come to define the community you belong to, if your age allows you to wear an ornated shirt. The lack of white spaces on the shirts of other ethnic minorities living alongside us may be a hint of their fears and insecurities: they tend to fill in the entire shirt with protective talismans, to make sure they are safe. In some circumstances, as it happens with the shirts from the shores of Nistru River, the white space is a warning. Yet the most interesting subject is to consider and compare the way that these white spaces are “read” and appreciated in our days, after all women had been influenced by the fashion industry and the communication in printed and social media. We like it or not, this influenced our way to define concepts such as “aesthetic”, “elegant”, “luxurious” or “refined”.

中文翻译：

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罗马尼亚传统女衬衫上的空白符号学，IA

在本文中，我们将罗马尼亚传统的上衣IA理解为具有复杂符号结构的多维符号对象。我们将从洛特曼的文化符号学理论的角度研究IA上符号学边界和空白的结构和解释。我们衬衫上的空白可能传达出与缝制标志所表达的同样重要的信息。他们不仅定义了节奏，让图案呼吸，而且有时他们也要讲述自己的故事。如果您的年龄允许您穿上华丽的衬衫，那么白色区域还会定义您所属的社区。与我们并肩生活的其他少数族裔的衬衫上缺少空白，可能暗示了他们的恐惧和不安全感：他们倾向于在整件衬衫中穿上护身符，确保他们安全。在某些情况下，正如来自Nistru河沿岸的衬衫所发生的那样，空白区域是一个警告。然而，最有趣的话题是考虑并比较在当今时代，所有女性都受到时装业以及印刷媒体和社交媒体传播的影响之后，这些“空白”被“阅读”和欣赏的方式。我们是否喜欢，这影响了我们定义概念的方式，例如“美学”，“优雅”，“豪华”或“精致”。毕竟，妇女受到了时装业以及印刷和社交媒体传播的影响。我们是否喜欢，这影响了我们定义概念的方式，例如“美学”，“优雅”，“豪华”或“精致”。毕竟，妇女受到了时装业以及印刷和社交媒体传播的影响。我们是否喜欢，这影响了我们定义概念的方式，例如“美学”，“优雅”，“豪华”或“精致”。