Abstract This article examines the Norwegian climate fiction television series Okkupert [Occupied] (2015–), focusing on the ways in which it reveals the complicity of Nordic subjects in an ecological dystopia. I argue that in illuminating this complicity, the series reimagines the Norwegian national self-conception rooted in a discourse of Norway's exceptionalist relation to nature. I show how Norway's green (self-)image is expressed through what I call “white ecology” – an aesthetics of whiteness encoded in neoromantic mountainous winter landscapes widely associated with the North, but also in the figure of the Norwegian white male polar explorer. I argue in this article that Occupied challenges this white-ecological masculine discourse through “dark ecology” (Morton, 2007), embodied by Russia and expressed by the avoidance of spectacular landscape aesthetics as well as by the strategy of “enmeshment”, facilitated by the medium of televisual long-form storytelling and the eco-noir aesthetics.

中文翻译：

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黑色生态景观

摘要本文研究了挪威气候小说电视连续剧《 Okkupert [Occupied]（2015–）》，重点探讨了揭示北欧主体在生态反乌托邦中的同谋的方式。我认为，在阐明这种共谋的同时，该系列重新构想了植根于挪威与自然的例外主义关系话语的挪威民族自我观念。我将展示如何通过我所谓的“白色生态”来表达挪威的绿色（自我）形象，这种白色美学体现在与北部广泛相关的新浪漫山区冬季景观中，也体现在挪威白人男性极地探险者的形象中。我在这篇文章中指出，被占领者通过“黑暗生态学”挑战这种白人生态男性话语（Morton，2007年），