ABSTRACT

This article discusses the unique nano-poetics and its nano-representation of the Israeli milieu, as found in Yossel Birstein’s short-short bus-stories. While these stories demonstrate the author’s poetics, they also constitute a miniature replica of Israeli society, emphasising the following four major aspects of this society: (1) the tension between the Jewish past and the Israeli present; (2) the complex dynamics between private and public life; (3) the gap between newcomers and veteran immigrants; and (4) a mentality dominated by nervous tension combined with the unique form of audacity known as chutzpah. Birstein presents the bus both as the inspiration for and as the object of his writing, and this narrative framework showcases the many variants in Israeli culture.

抽象的

本文讨论了约瑟夫·伯恩斯坦（Yossel Birstein）的短篇小说《短篇小说》中的独特的纳米诗学及其对以色列环境的纳米表示。这些故事虽然说明了作者的诗意，但它们也构成了以色列社会的缩影，强调了该社会的以下四个主要方面：（1）犹太人过去与以色列现在之间的紧张关系；（2）私人生活与公共生活之间复杂的动态关系；（3）新移民与老移民之间的差距；（4）一种以神经紧张为主的心理状态，加上被称为chutzpah的独特胆敢形式。Birstein将公共汽车作为他创作的灵感和对象，而这种叙事框架则展示了以色列文化中的许多变体。