Studies of street performance have highlighted its potential for creating vibrant and inclusive urban places, yet have largely neglected its atmospheric, affectual and emotional dimensions. Building on a growing body of work on atmospheres and dynamics of affect and emotion, I examine the formation of atmospheres by street performances in Taipei and its affectual and emotional resonance on space and people. I used an experimental more-than-representational methodology, including implementing a live survey questionnaire through the audience's smartphones during a performance. An atmosphere of street performance is generated through the lively interactions between the street performer, members of the audience, performance objects and the wider urban environment. Performance objects and the urban streetscape are vitalised as part of street performance, and have excessive potential in producing atmospheres. The spatio-temporal dimension of performance atmosphere is significant in generating memories and creating a therapeutic atmospheric space, experienced affectually and emotionally. I suggest that it would be helpful to see atmosphere and its affectual and emotional impact as dynamic, simultaneous experiences that people encounter as they are enmeshed within an atmosphere, such as in more-than-individual experiences or unexpected events. Within a changing atmosphere, there are multiple layers of affective and emotional outcomes, whether felt and emerging individually, and/or felt and emerging collectively.

对街头表演的研究强调了其创造充满活力和包容性城市场所的潜力，但在很大程度上忽略了其大气，情感和情感层面。在不断发展的有关气氛以及情感和情感动态的工作的基础上，我考察了台北街头表演的气氛形成以及它对空间和人的情感和情感共鸣。我使用了一种实验性而非代表性的方法，包括在表演期间通过观众的智能手机实施现场调查问卷。街头表演者，观众，表演对象和更广阔的城市环境之间的生动互动产生了街头表演的气氛。表演对象和城市街道景观是街头表演的一部分，具有生气勃勃的作用，并且在产生气氛方面具有巨大的潜力。表演气氛的时空维度在情感和情感上产生记忆和创造治疗性气氛空间方面具有重要意义。我建议将气氛及其情感和情感影响看作是人们沉浸在气氛中时所遇到的动态的，同时发生的体验，这将是有帮助的，例如多于个人的体验或意外事件。在不断变化的气氛中，情感和情感结果有多个层次，无论是个人感觉的还是新兴的，和/或集体感觉的和新兴的。表演气氛的时空维度在情感和情感上产生记忆和创造治疗性气氛空间方面具有重要意义。我建议将气氛及其情感和情感影响看作是人们沉浸在气氛中时所遇到的动态的，同时发生的体验，这将是有帮助的，例如多于个人的体验或意外事件。在不断变化的气氛中，情感和情感结果有多个层次，无论是个人感觉的还是新兴的，和/或集体感觉的和新兴的。表演气氛的时空维度在情感和情感上产生记忆和创造治疗性气氛空间方面具有重要意义。我建议将气氛及其情感和情感影响看作是人们沉浸在气氛中时所遇到的动态的，同时发生的体验，这将是有帮助的，例如多于个人的体验或意外事件。在不断变化的气氛中，情感和情感结果有多个层次，无论是个人感觉的还是新兴的，和/或集体感觉的和新兴的。人们沉浸在大气中时会遇到的同时经历，例如多于个别的经历或意外事件。在不断变化的气氛中，情感和情感结果有多个层次，无论是个人感觉的还是新兴的，和/或集体感觉的和新兴的。人们沉浸在大气中时会遇到的同时经历，例如多于个别的经历或意外事件。在不断变化的气氛中，情感和情感结果有多个层次，无论是个人感觉的还是新兴的，和/或集体感觉的和新兴的。