In this paper, I posit that Chekhov, in composing his plays, came to master the oedipal tensions and conflicts embodied by his psychic image of his mother and biological father as well as of his artistic father, Shakespeare. Chekhov framed his feelings about his parents through his many versions of the Hamlet closet scene, in which Hamlet kills Polonius and upbraids his mother for having married Claudius. Chekhov eventually transformed that scene to embody his new post-oedipal vision of his parents and of himself. In the process, he created a new scenic structure for dramatizing oedipal strivings.

中文翻译：

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契诃夫的俄狄浦斯之旅

在本文中，我假设契诃夫在创作他的戏剧时，已经掌握了他的母亲和生父以及他的艺术父亲莎士比亚的心理形象所体现的俄狄浦斯紧张和冲突。契诃夫通过他的许多版本的哈姆雷特壁橱场景来构建他对父母的感情，其中哈姆雷特杀死了波洛涅斯并指责他的母亲嫁给了克劳迪斯。契诃夫最终改变了这一场景，以体现他对父母和他自己的新的后俄狄浦斯愿景。在此过程中，他创造了一个新的风景结构，用于戏剧化俄狄浦斯的奋斗。