The photographs that circulated on social media depicting (and shamelessly celebrating) the atrocious acts committed by the Turkish military forces in southeast Turkey are indicative of an aesthetic (re)construction of militarized masculinity that serves as a metonym for the nation‐state. As violence is aestheticized in a gendered fashion in these depictions, the Kurdish resistance movement is shamed as feminine. Gendered shaming, in this context, conjoins racialization and gendering as subjugating mechanisms of the state. Women's peace movements seek to disrupt this heteropatriarchal logic of the state by countering the tripartite alignment of masculinity‐power‐domination with politicized art. In refusing the shame attributed to femininity, the shame that the state desires the Kurdish body to signify, they transfigure shame into honor and resistance.

中文翻译：

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“我们斗争中最赤裸的阶段”：土耳其反恐战争中的性别羞辱和男子气概的期望生产

在社交媒体上流传的照片描绘（并无耻地庆祝）土耳其军队在土耳其东南部所犯下的残暴行径，预示着军事化男子气概的美学（重新）建构，这是民族国家的代名词。由于在这些描写中以性别的方式将暴力美化了，库尔德抵抗运动被羞辱为女性化。在这种情况下，性别羞辱与种族化和性别歧视结合在一起，成为国家的征服机制。妇女和平运动试图通过反对男性化，权力主导和政治艺术的三重统一来破坏国家的这种父权制逻辑。在拒绝归因于女性气质的耻辱中，国家希望库尔德人的身体表示羞耻，