Given that Nick Land is one of the central influences on certain strands of accelerationism, xenofeminism, and inhumanism, it is important to understand how he himself first developed and deployed the concepts of acceleration, the feminine, and the inhuman, which others would go on to appropriate for their own purposes. This article will trace the four feminine figures throughout Land's philosophical trajectory, which he sees as agents for accelerating the transcendental critique of both anthropocentrism and phallocentrism: the slave turned lesbian; the sister; the sexborg; and the Sphinx. Having elucidated the importance of these figures for Land's thought, this article will conclude by drawing upon the younger Land's feminist resources to immanently critique the disappearance of women from his more recent neoreactionary philosophy in favor of concessions to patriarchal traditionalists.

中文翻译：

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奴隶，姊妹，性堡，狮身人面像：尼克·兰德哲学中的女性形象

鉴于尼克·兰德（Nick Land）是某些加速主义，异性女权主义和非人道主义的中心影响力之一，因此重要的是要了解他本人是如何首先发展和部署关于加速，女性和非人性的概念的，其他人会继续这样做以适合自己的目的。本文将追踪Land整个哲学轨迹中的四个女性形象，他认为这是加速人类中心主义和phallocentrism的先验批评的推动者：奴隶变女同性恋；姐姐; sexborg; 和狮身人面像。在阐明了这些数字对于Land的思想的重要性之后，本文将以年轻的Land's为总结