Abstract This article discusses the narrative and cinematic strategies used by activist documentaries on migration to enhance the empathy of spectators for the experiences of refugees. Empathy is not simply an emotion but an intersubjective skill of accessing the world of others and sensing our human interconnectedness. The paper focuses on Exodus, Our Journey to Europe and Exodus, The Journey Continues, a series of six documentaries, arguing that they create a viewing experience that enhances empathic concern through the use of haptic visuality, narrative witnessing and the personal accounts of the migrant protagonists. This paper examines empathy and its connections with cinematic identification, analyzing how it becomes articulated in activist documentaries through the representation of a multidimensional image of migrants.

中文翻译：

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“任何人都可以成为难民：”关于移民的激进纪录片中移情关注的策略

摘要 本文讨论了关于移民的激进纪录片使用的叙事和电影策略，以增强观众对难民经历的同理心。同理心不仅仅是一种情感，而是一种进入他人世界并感知我们人类相互联系的主体间技能。该论文侧重于出埃及记，我们的欧洲之旅和出埃及记，旅程继续，这是一系列六部纪录片，认为它们创造了一种观看体验，通过使用触觉视觉、叙事见证和移民的个人叙述来增强移情关注主角。本文考察了移情及其与电影认同的联系，分析了它如何通过对移民的多维形象的表现在激进主义纪录片中得到表达。