This article analyses the performance Un violador en tu camino created by Chilean feminist theatre collective LasTesis, shared by millions and re-staged across the globe. It explores the relationship between the original piece and theorist Rita Segato's insights on rape culture, and how it counters aspects of this culture. It examines how the transnational spread of Un violador counters tendencies of MeToo, and examines four cases of the performance's re-staging in Latin America and beyond, showing how they make manifest the pervasiveness of rape culture as well as how groups have adapted them to speak to local issues.

中文翻译：

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不服从的智利和跨国表演：Lastesis 和 Un violador en tu camino 的现象

本文分析了由智利女权主义戏剧团体 LasTesis 创作、被数百万人分享并在全球重新上演的表演Un violador en tu camino。它探讨了原作与理论家 Rita Segato 对强奸文化的见解之间的关系，以及它如何对抗这种文化的各个方面。它考察了联合国侵犯者的跨国传播如何对抗 MeToo 的倾向，并考察了该表演在拉丁美洲及其他地区重新上演的四个案例，展示了他们如何体现强奸文化的普遍性以及群体如何使他们适应说话到地方问题。