ABSTRACT This article focuses on resilience and chronic pain in the context of choreography and performance. Through critically-creatively reflecting on my practice-as-research project, Ecologies of Pain, I explore practices of resilience that emerge from turning towards and working creatively with chronic pain. I draw from two strands of the performance research – collaborating with disabled artist Raquel Meseguer and devising a new autobiographical solo performance, Pain and I. Taking disability studies as my critical framework, I think through a cripped politics of resilience, where chronic pain bodies are understood as valid, valuable and skilled.

中文翻译：

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慢性疼痛、编舞和表演：复原力实践

摘要 本文重点讨论舞蹈编排和表演背景下的弹性和慢性疼痛。通过批判性地创造性地反思我的实践即研究项目“疼痛生态学”，我探索了从转向慢性疼痛并创造性地应对慢性疼痛而产生的复原力实践。我借鉴了表演研究的两个方面——与残疾艺术家 Raquel Meseguer 合作并设计了一个新的自传性个人表演《痛苦和我》。将残疾研究作为我的关键框架，我通过一个残缺的弹性政治来思考慢性疼痛身体被理解为有效的、有价值的和熟练的。