Abstract:This article explores the career of Ogino Chiichi (1731–1801), a prominent blind musician of the genre of heikyoku. With a renewed focus on Chiichi's relationship with the tōdō (the guild of blind men) against the literary and social backgrounds of heikyoku, it reinterprets the significance of Chiichi's status as a blind, learned, and well-connected professional. Chiichi's exceptional trajectory contributes perspectives for rethinking disability while his composition provides an important analytical lens on textual production and performance in the broader framework of interpersonal interests and literary practices shared among many blind musicians and sighted audiences.

中文翻译：

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残疾、文本和表演：一位盲人音乐家在日本德川的职业生涯的意义

摘要：本文探讨了荻野千一（1731-1801）的职业生涯，他是平曲流派的杰出盲人音乐家。以平极的文学和社会背景重新关注 Chiichi 与 todō（盲人行会）的关系，它重新解释了 Chiichi 作为盲人、博学和人脉广泛的专业人士的地位的重要性。Chiichi 的非凡轨迹为重新思考残疾提供了视角，而他的作品在许多盲人音乐家和有视力的观众之间共享的人际兴趣和文学实践的更广泛框架中，为文本制作和表演提供了重要的分析视角。