In fall 2016, the French state razed Calais’s “jungle,” encampments that had sheltered close to 10,000 refugees. An analysis of film and photography set in the “jungle” highlights practices of resistance to the interplay of humanitarian compassion and securitarian repression in the destruction of contemporary camps, nuancing the view of borderscapes as sites of total biopolitical capture, and of refugees as “bare life.”

中文翻译：

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加来的“丛林”

2016年秋天，法国政府夷平了加来的“丛林”营地，该营地收容了近10,000名难民。对“丛林”中的电影和摄影的分析强调了在破坏当代难民营中抵制人道主义同情与安全压制的相互作用的做法，增强了将边界景观视为完全生物政治俘获地点以及将难民视为“裸露”的观点。生活。”