Author(s): Sonevytsky, M | Abstract: © 2018 by Duke University Press. This article investigates how sovereignty works in practice by attending to the aural public sphere of Crimea, as "Eastern music" is produced and circulated by the Crimean Tatar radio and as it penetrates the public spaces of microtransit. I argue that through the dissemination of "Eastern music" on the Crimean peninsula, Radio Meydan generated a new virtual space in which latent competing liminal sovereign imaginaries of Crimea, situated within the upheavals of Ukrainian instability and Russian aggression, were produced and negotiated. Through attention to the aural sphere-to the sounds that ears identify as symbolically resonant; to music, media, and the discourse that surrounds it-I argue for new ways of apprehending how sovereignty-in-practice insinuates itself into daily life and feeds the imaginaries that shape future political conditions.

中文翻译：

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梅丹电台

作者：Sonevytsky, M | 摘要：© 2018 杜克大学出版社。本文通过关注克里米亚的听觉公共领域来研究主权在实践中如何运作，因为“东方音乐”是由克里米亚鞑靼电台制作和传播的，并且渗透到微型交通的公共空间。我认为，通过在克里米亚半岛传播“东方音乐”，梅丹电台创造了一个新的虚拟空间，在这个空间中，克里米亚潜在的竞争性阈限主权想象被产生和协商，这些想象位于乌克兰不稳定和俄罗斯侵略的剧变中。通过对听觉领域的关注——对耳朵识别为象征性共鸣的声音；对音乐、媒体、