The Repeal campaign articulated new and transformative relationships between law, reproduction and the political in Ireland. During the campaign, ordinary people took ownership of and participated in mutual teaching and critique of law on a wide scale. Art, along these lines, was often used to document and archive the injustices worked by the 8th Amendment. However, art also became a means of imagining law otherwise. In this piece, I use Jacques Rancière’s work on the relationship between aesthetics and politics to analyse artistic contributions to feminist legal discourses associated with Repeal.

中文翻译：

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废除四篇：艺术笔记、美学笔记与反对爱尔兰堕胎法的斗争

废除运动阐明了爱尔兰法律、再生产和政治之间新的、变革性的关系。在这场运动中，广大群众普遍掌握并参与了法学互鉴和批判。艺术，沿着这些路线，经常被用来记录和存档第八修正案所造成的不公正。然而，艺术也成为了想象法律的一种方式。在这篇文章中，我使用雅克·朗西埃 (Jacques Rancière) 关于美学与政治之间关系的著作来分析对与废除相关的女权主义法律话语的艺术贡献。