Given the affective psychological and cognitive dynamics prevalent during human–robot-interlocution, the vulnerability to cultural-political influences of the design aesthetics of a social humanoid robot has far-reaching ramifications. Building upon this hypothesis, I explicate the relationship between the structures of the constitution social ontology and computational semiotics, and ventures a theoretical framework which I proposes as a thesis that impels a moral responsibility on engineers of social humanoids. In distilling this thesis, the implications of the intersection between the socio-aesthetics of racialised and genderised humanoids and the phenomenology of human–robot-interaction are illuminated by the figuration of the experience of a typical black rural African woman as the user, that is, an interlocutor with an industry-standard socially-situated humanlike robot. The representation of the gravity of the psycho-existential and socio-political ramifications of such woman’s life with humanoids is abstracted and posited as grounds that illustrate the imperative for roboticists to take socio-ethical considerations seriously in their designs of humanoids.

鉴于人与机器人对话期间普遍存在的情感心理和认知动态，社交类人机器人设计美学对文化政治影响的脆弱性具有深远的影响。在这个假设的基础上，我解释了宪法社会本体论和计算符号学的结构之间的关系，并冒险提出一个理论框架，我将其作为论文提出，促使社会类人生物的工程师承担道德责任。在提炼这篇论文时，种族化和性别化的类人生物的社会美学与人机交互现象学之间的交集的含义通过典型的非洲黑人农村妇女作为用户的体验的形象来阐明，即, 与行业标准的社交类人机器人对话者。此类女性与类人动物生活的心理存在和社会政治后果的严重性被抽象和假设为理由，说明机器人专家在他们的类人机器人设计中必须认真考虑社会伦理问题。