collocates; Chapter 8, using ethnographic methods to obtain naturalistic response data from discussion groups; and Chapter 9, using experimental methods to collect reader response data ‘in the lab’. As Hart notes in the Introduction (p. 10), a limitation is that the textual material analyzed is all restricted to the linguistic modality, failing to reflect the trend of multimodal discourse analysis. In fact, two studies in this volume are proximal to multimodality: Chapter 6, analysis of political song The Rising, and Chapter 9, using images of a violent encounter between a police officer and a protester as visual stimulus. In songs and images, meanings are constructed and conveyed in modes other than language.

中文翻译：

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书评：劳尔·兰萨里 (Laure Lansari)，《话语标记的对比观点：英语和法语的话语标记》

搭配；第 8 章，使用人种学方法从讨论组中获取自然反应数据；和第 9 章，使用实验方法在“实验室”收集读者反应数据。正如 Hart 在引言 (p. 10) 中指出的那样，一个局限是所分析的文本材料都仅限于语言模态，未能反映多模态话语分析的趋势。事实上，本卷中的两项研究接近于多模态：第 6 章，对政治歌曲 The Rising 的分析，以及第 9 章，使用警察和抗议者之间暴力冲突的图像作为视觉刺激。在歌曲和图像中，意义是通过语言以外的方式构建和传达的。