ABSTRACT This article interrogates the gendered nature of modernism via analysis of the art work of two modern women painters, the American Edna Reindel and the Australian Sybil Craig. Each portrayed women working in shipbuilding, aircraft and munitions factories during the Second World War. While their paintings of women at work could be seen as complicit in the hegemonic masculinist political regimes which considered women a reserve army of labour, a feminist inter/modern reading runs counter to the conventional view that the masculinity of modern times was barely disturbed by women stepping into unusual roles under exceptional circumstances.

中文翻译：

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女性、艺术和战时产业：女性主义国际/现代分析

摘要 本文通过分析美国的埃德娜·雷因德尔和澳大利亚的西比尔·克雷格这两位现代女画家的艺术作品，质疑现代主义的性别本质。每个人都描绘了二战期间在造船、飞机和军火工厂工作的女性。虽然他们描绘工作中的女性的画作可以被视为霸权男性主义政治政权的同谋，该政权认为女性是劳动力的后备军，但女性主义的跨/现代解读与传统观点背道而驰，即现代的男性气质几乎不受女性干扰在特殊情况下扮演不寻常的角色。