Adelaide, 1980. Reverberations of electrified reggae rock shake the concrete pillars supporting the Port Adelaide Town Hall. The iconoclastic Aboriginal Australian band—No Fixed Address—are performing their powerful, politically charged anthem We Have Survived, bringing Aboriginal political issues, literally, to the centre stage. Inspired by the black-celebration messages of Bob Marley’s 1979 Australian tour, No Fixed Address offered one of the first overt politicisations of Aboriginal rock music. By performing a song that unreservedly dealt with Aboriginal dispossession and survival, No Fixed Address were protesting the deeply held belief that European colonisation had destroyed thousands of years of Indigenous knowledge and culture:

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Deep Time Dreaming: Uncovering Ancient Australia By Billy Griffiths Black Inc. Books, Carleton, Victoria, 2018. ISBN: 978-1-7606-4044-6 (digital copy)。pp。376. 34 澳元

阿德莱德，1980 年。带电雷鬼摇滚的回响摇晃着支撑阿德莱德港市政厅的混凝土柱子。打破传统的澳大利亚原住民乐队——No Fixed Address——正在表演他们强大的、充满政治色彩的国歌我们已经幸存下来，将原住民的政治问题真正地带到了舞台中央。受到 Bob Marley 1979 年澳大利亚巡演的黑人庆祝信息的启发，No Fixed Address 提供了最早公开的土著摇滚音乐政治化之一。通过表演一首毫无保留地处理土著剥夺和生存的歌曲，No Fixed Address 抗议欧洲殖民摧毁了数千年的土著知识和文化的根深蒂固的信念：