ABSTRACT

The pressure of immediacy, the dictatorship of the click, and the growing avalanche of fake news have impacted journalism. Citizens are particularly skeptical about the information they receive from the press, especially in the digital media. Journalism is faced with the need – or almost the urgency – to rethink, reinvent and redefine messages, routines, and processes. In this regard, various initiatives, especially in Ibero-America, have opted for slow journalism as a reaction and response to information devaluation. The commitment to journalism that appreciates context and cares for narrative has driven this "slow" news trend that believes in "author journalism" and stories' humanization. Through the methodology of the case study, of a qualitative and exploratory nature, 12 experiences of "slow journalism" media in Ibero-America are reviewed, with a particular interest in their themes, contents, aesthetics, and sources of financing. It is concluded that these media are one of the few that carry out investigative journalism, although to subsist, they depend to a great extent on international cooperation agencies since their contents and aesthetics are elitist in comparison with their conventional digital peers, which reduces their capacity of maintenance by subscriptions and advertising.

摘要

即时性的压力、点击的独裁统治以及越来越多的假新闻已经影响了新闻业。公民对他们从媒体，尤其是数字媒体中获得的信息尤其持怀疑态度。新闻业面临着重新思考、重新发明和重新定义信息、惯例和流程的需求——或者说几乎是紧迫性。在这方面，各种倡议，特别是在伊比利亚美洲，选择了慢速新闻作为对信息贬值的反应和回应。重视上下文和关心叙事的新闻事业推动了这种相信“作者新闻”和故事人性化的“慢”新闻趋势。通过案例研究的方法，具有定性和探索性，12 次“慢新闻”的经历 对伊比利亚美洲的媒体进行了审查，特别关注其主题、内容、美学和资金来源。得出的结论是，这些媒体是少数开展调查性新闻的媒体之一，尽管它们的生存在很大程度上依赖于国际合作机构，因为它们的内容和美学与传统的数字同行相比是精英化的，这降低了它们的能力通过订阅和广告进行维护。