ABSTRACT This article presents a remarkable case study of artistic influences between two avant-garde artists who still gain insufficient recognition in international accounts of European modern art, namely between Mieczysław Szczuka and Hendrik Nicolaas Werkman – eminent representatives of Polish and Dutch interwar avant-gardes, respectively. They both lived and worked far from historiographical artistic ‘centres’, did not travel much, yet their work indicates considerable influence exerted by one of these ‘peripheral’ artists on the other. Interestingly, it is the Polish artist Szczuka whose works became a source of artistic inspiration for the Dutchman Werkman, providing a remarkable example of East-West artistic influence that has so far rarely been recognized by the historiographers of the avant-garde. This particular case study is based on an analysis of preserved historical material and selected artworks that give evidence of Szczuka’s influence on Werkman and at the same time question historiographical assumptions regarding cultural mobility ‘from centres to peripheries’ and ‘from West to East’.

中文翻译：

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从“外围”华沙到不容忽视的格罗宁根：米奇兹瓦·什克鲁卡对亨德里克·尼古拉斯·韦克曼的艺术影响

摘要本文提供了一个杰出的案例研究，探讨了两位前卫艺术家之间的艺术影响力，他们在欧洲现代艺术的国际视野中仍未获得足够的认可，即MieczysławSzczuka和Hendrik Nicolaas Werkman之间的关系–波兰和荷兰两次战争前卫艺术的杰出代表，分别。他们的生活和工作都远离史学的艺术“中心”，旅行并不多，但他们的作品表明其中一位“外围”艺术家对另一位艺术家产生了巨大影响。有趣的是，正是波兰艺术家Szczuka的作品成为了荷兰人Werkman的艺术灵感来源，提供了东西方艺术影响力的杰出实例，迄今为止，这是前卫史学家很少意识到的。