The Mongol horse stems from ancient stock, similar to the first horses ridden on the Central Asian grassland steppe. Mongol horses subsequently migrated with their human counterparts throughout Eurasia, as far to the east as Japan. During archery festivals in Japan, horses gallop along a narrow runway within a temple complex in the heavily populated city of Kyoto. In Mongolia, with the recent re‐emergence of the ancient practice, horse and rider still gallop across the expansive grassland steppe. The euphoria one feels in riding fast on horseback with the wind against one's face can be symbolised by the concept of khii mor’ in Mongolia, which is connected with the vitality between human and horse in the practice of horse archery. Through sensory ethnography, in combination with multi‐species ethnography, this article explores embodiment between horse and rider in two quite different socio‐ecological contexts.

中文翻译：

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通过射箭进行人马感官互动

蒙古马源于古代牲畜，类似于在中亚草原草原上骑过的第一匹马。蒙古马随后与人类同行在整个欧亚大陆迁移，直至日本东部。在日本的射箭节期间，马匹在人口稠密的京都市一座寺庙建筑群内的狭窄跑道上疾驰。在蒙古，随着古代习俗的重新出现，骑马者仍在广阔的草原上驰gall。人们对狂风的狂喜可以用“ khii mor'”的概念来象征。在蒙古，这与射箭术中人与马之间的活力息息相关。通过感觉民族志，结合多种民族志，本文探索了在两种截然不同的社会生态环境中马与骑手之间的融合。