As social scientists become increasingly aware of the limits of dominant models of subjectivity to address contemporary social, cultural, and environmental problems, Felix Guattari’s emphasis on the machinic and processual dimensions of subjective production offers crucial insights. This paper explores the potential of Guattari’s evocation of the “cosmos” for the reconceptualisation of subjectivity. Among the various concepts of exteriority that Guattari employs throughout his work, the notion of the cosmos evokes the ungrounding effects of encounters with radically unfamiliar ontological universes. The paper invents the notion of cosmic subjectivity as a way of theorising a mode of subjective production that draws from a maximum of ontological universes. Open to the diverse existential rhythms and durations of the universe, cosmic subjectivity abandons the myth of an a priori subject and rejects the universal sense of time that provides its ground. To speak of cosmic subjectivity is to entertain the possibility of subjective processes that are not subjugated to the dominant order, but become compatible with immanent processes of mutation. To give flesh to these claims, the paper briefly explores three science fiction films released in recent years, which gesture, in significantly different ways, beyond the human: War for the Planet of the Apes, Blade Runner 2059 and Arrival. Our use of the films is not meant to provide an outline of a new model of subjectivity, but to give a sense of the complexities of keeping subjective production open to the indeterminate forces of other ontological universes.

中文翻译：

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宇宙主观性：加塔利和主观制图的制作

随着社会科学家越来越意识到主体性的主导模型在解决当代社会、文化和环境问题方面的局限性，Felix Guattari 对主观生产的机械和过程维度的强调提供了重要的见解。本文探讨了加塔里对“宇宙”的唤起对主体性重新概念化的潜力。在加塔里在整个作品中使用的各种外在性概念中，宇宙的概念唤起了与完全陌生的本体宇宙相遇的无根据的影响。该论文发明了宇宙主观性的概念，将其作为一种从最大本体论宇宙中提取主观生产模式的理论方法。对宇宙不同的存在节奏和持续时间持开放态度，宇宙主体性摒弃了先验主体的神话，拒绝提供其基础的普遍的时间感。谈论宇宙主观性就是考虑主观过程的可能性，这些过程不会屈服于主导秩序，而是与内在的突变过程相容。为了充实这些主张，本文简要探讨了近年来上映的三部科幻电影，它们以截然不同的方式表现出超越人类的一面：人猿星球大战、银翼杀手 2059和Arrival。我们对电影的使用并不是为了提供一个新的主观模型的轮廓，而是为了让主观生产对其他本体论宇宙的不确定力量保持开放的复杂性。