Reproductive oppression is the control and exploitation of women, girls, and individuals through our bodies, sexuality, labor, and reproduction. This archaeological research utilizes intersectionality and praxis as analytic tools to uncover reproductive oppression in the past and embolden reproductive justice in the present. At the nineteenth‐century Hollywood Plantation in southeastern Arkansas, the materiality of the past—census records, medicine bottles, toys, and grave markers—provides a lens onto the deep history of reproductive oppression and the ways people responded to it. By situating individuals and artifacts at the intersections, I interpret various artifacts from differing positionalities, focusing and refocusing the lens on all of the women who lived and worked in the house to understand the ways reproduction shaped their lives over time and to draw connections between the control over Black women's bodies exercised by slaveholders and the contemporary trend to limit women's control of their reproductive health. [historical archaeology, reproductive oppression, intersectionality, praxis, Arkansas]

中文翻译：

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好莱坞幕后花絮：交叉路口的生殖压迫考古

生殖压迫是通过我们的身体，性，劳动和生殖对妇女，女孩和个人的控制和剥削。这项考古学研究利用交叉性和实用性作为分析工具，揭示了过去的生殖压迫，并增强了当今的生殖正义。在阿肯色州东南部的19世纪好莱坞种植园，人口普查记录，药品瓶，玩具和坟墓标记等过去的物质为人们提供了深刻的生殖压迫历史以及人们对此做出反应的方式的镜头。通过将个人和人工制品放置在相交处，我从不同的位置解释了各种人工制品，将镜头聚焦并重新聚焦于所有在房子里生活和工作的妇女，以了解随着时间的推移生殖方式如何塑造她们的生活，并在对奴隶主行使的黑人妇女身体的控制权与限制妇女对妇女的控制权的当代趋势之间建立联系他们的生殖健康。[历史考古学，生殖压迫，交叉性，实践，阿肯色州]