The aim of this article is to study parrhesia as a form of political performativity. The study of parrhesia as a speech act has been inaugurated by the researches of Lorenzini, who has proposed an in-depth analysis of the parrhesiastic speech act: we nonetheless believe that some features of parrhesiastic performativity urge us to broaden some aspects of his theory. In the first section of this article we will study the nature of parrhesiastic utterance, where Lorenzini’s theses will be discussed through the use of Butler’s approach. In the second section, we will examine the characteristics of Cynic performativity through our theoretical framework, in order to give an example of its effectiveness. We will put forward, then, an overall interpretation of parrhesia, which will be redefined as a communitarian performativity and, furthermore, as an innovative model of radical democracy.

本文的目的是研究作为一种政治表现力形式的狂妄症。洛伦齐尼（Lorenzini）的研究开启了对parrhesia作为言语行为的研究，他提出了对pareshesiastic言语行为的深入分析：尽管如此，我们相信parrhesiastic表现力的某些特征促使我们拓宽他的理论的某些方面。在本文的第一部分中，我们将研究旁述性话语的本质，其中洛伦齐尼的论点将通过使用巴特勒的方法进行讨论。在第二部分中，我们将通过我们的理论框架研究Cynic性能的特征，以举例说明其有效性。然后，我们将提出对轻食症的整体解释，将其重新定义为社群主义的表现力，此外，