This article examines Paul B. Preciado’s Testo Junkie as portraying the need for a postpornographic trans* feminism that contests homonormative queer and feminist responses to LGBTQIA+ (lesbian, gay, bisexual, transgender, queer/questioning, intersex, and asexual) individuals in neoliberal French and Francophone societies during the rise of far-right anti-gender movements. Interrogating Preciado’s autotheory text, which questions what gendered performance entails in the pharmacopornographic era, allows for a consideration of the author’s bodily subjectivity and how he represents material-discursive practices to theorise his techno-identity. The article argues that Preciado highlights his sexual and gendered performance to assert a trans* identity that rebels against classification. Unveiling the multiplicity of gendered and sexual experiences that counter Western hegemonic binary categorisations, Preciado shows readers that through his material representation, he controls his own subjectivity to centre possibility with postpornographic feminist performance, expanding what it means to be a feminist subject in the twenty-first century.

本文探讨了保罗·普雷西亚多（Paul B. Preciado）的德斯托·容基（Testo Junkie）描绘了在远自由度兴起期间，需要新的法国和法语国家社会中反对同性恋，同性恋，女同性恋，同性恋，双性恋，变性者，同志/质疑，双性恋和无性恋的同性恋行为的后色情时代跨性别女权主义的必要性正确的反性别运动。审问Preciado的自动理论文本，该问题质疑药典时代的性别表现意味着什么，它考虑了作者的身体主观性以及他如何代表物质干扰实践来理论化其技术身份。文章认为，普雷西亚多（Preciado）着重强调了他的性能力和性别表现，以主张反叛的身份，反抗分类。揭露了与西方霸权二元分类相对应的性别和性经​​历的多样性，