that successfully integrates empirical knowledge with illustrations and discussions of how anthropologists can come to embrace our inner artist and incorporate (sensitively) visual and sonic methodologies, while also making a contribution to the history and sociocultural anthropology of Cuba. BoudreaultFournier has quite possibly set a precedent for a new genre by bringing together disparate objects and phenomena through an unusual and metaphysical central analytic that is further amplified by its immense reorientation toward creativity, asserting anthropology’s capacity to harness the powers of our cousins, today’s contemporary artists. The bookwillfind a home in undergraduate courses on Latin American and Caribbean anthropology, just as much as it would be warmly received in graduate seminars on visual and experimental methodologies, literary ethnography, or ethics.

中文翻译：

---

圣人与政治

成功地将经验知识与插图和讨论相结合，讨论人类学家如何能够接受我们内心的艺术家并结合（敏感的）视觉和声音方法，同时也为古巴的历史和社会文化人类学做出贡献。BoudreaultFournier 很可能通过一种不同寻常的形而上学的中心分析将不同的对象和现象汇集在一起​​，从而为一种新的流派开创了先例，这种分析因其对创造力的巨大重新定位而进一步放大，断言人类学有能力利用我们的堂兄弟，今天的当代艺术家的力量. 这本书将在拉丁美洲和加勒比人类学的本科课程中找到一个家，就像在视觉和实验方法的研究生研讨会中受到热烈欢迎一样，