This article examines the implementation of worldbuilding in the Malaysian animation franchise, BoBoiBoy, through the portrayal of ‘Power Sphera Universe’ across various installments. Worldbuilding refers to the creation of a fictional storyworld in which a set storyline(s) take place. Within the scope of storytelling, worldbuilding plays an integral role as it enables a storyworld to sustain or encompass multiple storylines that were produced for various media platforms. This study will argue that the portrayal of ‘Power Sphera Universe’ in various installments across the BoBoiBoy animation franchise ensures that the encapsulated and uniquely developed stories remain interrelated to one another, allowing the audience to enhance their understanding and comprehension over the overall transmedia storyworld. The discussion will visit the utilization of contextualizing devices as a primary means of worldbuilding across several storylines within the BoBoiBoy animation franchise

本文探讨worldbuilding在马来西亚动画专营，实行BoBoiBoy，通过“权力Sphera宇宙”的跨越不同分期的写照。Worldbuilding是指创建一个虚构的故事世界，在其中建立了一个固定的故事情节。在叙事的范围内，世界构建起着不可或缺的作用，因为它使故事世界能够维持或涵盖为各种媒体平台制作的多个故事情节。该研究会认为，“权力Sphera宇宙”的跨越各种分期付款的写照BoBoiBoy动画特许经营确保封装的故事和独特发展的故事彼此之间保持相互联系，从而使观众能够增强他们对整个跨媒体故事世界的理解和理解。讨论将访问使用情境化设备作为BoBoiBoy动画专营权中多个故事情节的主要构建方式