Transnational, Digital, Mexican Cinema? Fogo (Yulene Olaizola, 2012) and Placa Madre (Bruno Varela, 2016),Journal of Latin American Cultural Studies

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Transnational, Digital, Mexican Cinema? Fogo (Yulene Olaizola, 2012) and Placa Madre (Bruno Varela, 2016)
Journal of Latin American Cultural Studies ( IF 0.3 ) Pub Date : 2019-09-04 , DOI: 10.1080/13569325.2019.1642860
David M. J. Wood , Gabriela Vigil

Two modes of transition are much discussed in contemporary film scholarship: geopolitical/affective (national to transnational) and technological (analogue to digital). While both movements are oft...

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