ABSTRACT I argue that “Psychoanalysis as an Art and the Fantasy Character of the Psychoanalytic Situation” is of immediate use to the analytic clinician. Its graphic metaphors of a force-field and a play provide experience-near descriptions of the therapeutic interchange. Building on his more widely known and theoretically dense model of the mother–infant matrix, Loewald uses the idea of a theatrical play to illustrate the externalization of fantasy action sequences in the scenarios played out in the transference and countertransference field. In the creation of their play, the patient and analyst become artist and medium for each other. I elaborate this latter idea by drawing on the work of Dobyns (1996), a contemporary poet. A poem creates a relationship with a reader by using metaphor to awaken experience and stimulate self-examination. In the clinical situation, the content of the associations and enacted object relations are metaphors revealing the underlying fantasy action sequences. A clinical vignette illustrates these ideas and the options for interpreting them in the therapeutic field (Ferro 2002).

中文翻译：

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剧中的事：洛瓦尔德的剧院和力场隐喻

摘要我认为“精神分析作为一种精神分析情况的艺术和幻想特征”对于分析临床医生来说是立即可用的。它的力场和戏剧的图形隐喻提供了治疗互换性的近乎经验的描述。洛瓦尔德建立在他的母婴矩阵更广为人知且理论上稠密的模型的基础上，运用戏剧戏剧的思想来说明在移情和反移情领域中扮演的场景中幻想动作序列的外在化。在创作剧本时，患者和分析师成为彼此的艺术家和媒介。我通过借鉴当代诗人多宾斯（Dobyns，1996）的作品来阐述后一种想法。一首诗通过隐喻唤醒经验并激发自我反思，从而与读者建立了联系。在临床情况下，关联的内容和已制定的对象关系是隐喻，揭示了潜在的幻想动作序列。临床上的插图说明了这些想法以及在治疗领域进行解释的选择（Ferro 2002）。