Mis-hear the ‘cene’ in Anthropocene and we are not beholders of an epoch or witnesses to a prospect of distancing projection onto a deep past or lost future but, rather, in the scene of our undoing. In this scene that I reframe as the Necrocene, there are still ways of doing things with being undone. Current art practice offers a new ars moriendi to make contestatorily palpable and even transform the necropolitical conditions of the Necrocene crisis by working with the strangely resilient powers of death. Current practices that deform the landscape-form demonstrate how the vulnerability of living our dying offers a queer material medium to agitate for livable life toward a black, trans* more-than-human commons.

中文翻译：

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做事未完成

错误地听到人类世中的“新世纪”，我们不是一个时代的旁观者，也不是将投射到遥远的过去或失去的未来的前景的目击者，而是在我们毁灭的场景中。在我重新定义为 Necrocene 的这个场景中，仍然有一些方法可以撤销。当前的艺术实践提供了一种新的 moriendi 方式，通过使用具有奇怪弹性的死亡力量，使竞争变得明显，甚至改变死灵世危机的死灵政治条件。当前使景观形式变形的实践表明，我们垂死的生活的脆弱性如何提供了一种奇怪的物质媒介，以推动宜居的生活朝着一个黑色的、跨人类的公地发展。