ABSTRACT This article presents the Kwagh-hir performance tradition of the Tiv people, Nigeria, as an alternative for negotiating sustainable cultural development. I argue that cultural contexts must be considered in any development project to mitigate against the prescriptive, external templates which result in a ‘one-size-fits-all’ approach to theatre and development, most clearly be seen in the Theatre of the Oppressed model.

中文翻译：

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Kwagh-Hir，绩效替代方案和文化可持续性：让人们参与进来

摘要 本文介绍了尼日利亚 Tiv 人的 Kwagh-hir 表演传统，作为协商可持续文化发展的替代方案。我认为，在任何发展项目中都必须考虑文化背景，以减轻导致“一刀切”的戏剧和发展方法的规定性外部模板，在被压迫者模型中最清楚地看到.