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Composing music, developing dialogues: An enactive perspective on children's collaborative creativity
British Journal of Music Education ( IF 1.0 ) Pub Date : 2017-06-28 , DOI: 10.1017/s0265051717000055
Ana Luísa Veloso

This study aims to provide new insights on the nature of the embodied and collaborative processes related to the emergence of new musical ideas that occur when children are composing in groups.Data was obtained by participant observation of the teacher/researcher and by ten videotaped one-hour musical sessions dedicated to the development of a music composition by two groups of children, all of whom were eight years old.It was found that when composing in groups a) children use embodied processes to transform what they experience on diverse realms of their existence into musical ideas, and that b) while creating music, children engage in several improvisatory moments where new ideas emerge through the diverse ways they enact the surroundings where the activity is occurring. Findings suggest a conception of music composing as a multidimensional phenomenon that entails cognitive processes that are distributed across and beyond the physical body. Findings also suggest that composing music in collaboration with others nurtures a set of creative possibilities that would otherwise, not occur. Considerations for music education theory and practice are addressed in the last section of the article.

中文翻译:

作曲,发展对话:儿童协作创造力的积极视角

研究结果表明,音乐创作是一种多维现象,涉及分布在身体内外的认知过程。调查结果还表明,与他人合作创作音乐可以培养一系列创造性的可能性,否则这些可能性不会发生。音乐教育理论和实践的考虑将在文章的最后一节中讨论。
更新日期:2017-06-28
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