In this paper, we want to re-visit some of the core assumptions about the making of the images we call Paleolithic art. We propose that not all images were made as derived from a long standing and formal system of image-making guidelines, and that many can be more likely accounted for as a part of bricolage processes.As well, our current emplotment of the "story" of Paleolithic art depends too much on the concept that it was a long-standing tradition, rather than thinking that perhaps the apparent similarities are the result of contiguous rather than continuous practices.

中文翻译：

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贿赂者的回归？旧石器时代的绘画，意图和传统

在本文中，我们想重新审视一些有关制作所谓旧石器时代图像的核心假设。我们建议，并非所有图像都是从长期存在的正式图像制图系统中衍生而来的，因此许多图像很可能被归为贿赂程序的一部分。同样，我们目前对“故事”的描述旧石器时代艺术的观念在很大程度上取决于它是一个悠久的传统，而不是认为表面上的相似性可能是连续而不是连续实践的结果。