After a major flood in Jakarta in 2007, the government of Indonesia partnered with a consortium of Dutch engineers and designers to produce a solution. In 2013, this consortium proposed a plan for the Great Garuda, a megaproject that combined a deep seawall and private real estate, both in an archipelago of reclaimed islands that would be shaped like the mythical garuda eagle, Indonesia's national symbol. Despite a range of infeasibilities and opposition, the Great Garuda became the most prominent vision for the city's future. This article argues that the promotion of the Great Garuda was a process of ‘hyper‐planning’, which projected the city as a national triumph and a global spectacle. The plan served the political objective of creating the mere possibility of a ‘new Jakarta’ apart from the perceived chaos of the current capital. Further, the plan functioned as a performative object through its iconic imagery and its circulations. The process of hyper‐planning simultaneously projected a future of urban success, but also displaced the contingencies of the future to the private sector, beyond the purview of the state.

中文翻译：

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超级计划雅加达：大鹰报和全球奇观

在2007年雅加达发生大水灾之后，印度尼西亚政府与荷兰工程师和设计师财团合作制定了解决方案。在2013年，该财团提出了一个计划大金翅鸟，一个大型项目，在回收的岛屿组成的群岛，将形状像神话相结合的深海堤和私人房地产，无论是鹰航鹰，印尼的国家标志。尽管存在种种不可行和反对的态度，但鹰报大酒店却成为该市未来最突出的愿景。本文认为，大鹰报的推广是“过度规划”的过程，将城市视为全国性的胜利和全球性的盛事。该计划的政治目的是创造一个“新雅加达”的可能性，除了当前首都的混乱。此外，该计划通过其标志性意象及其流通，还充当了表演对象的角色。过度规划的过程同时预测了城市成功的未来，但也将未来的偶然性转移到了私营部门，而超出了国家的权限。