The adaptive reuse (AR) of buildings in Iran, is a subject that has had disparate cultural backgrounds, compared to the countries that originated the approach. AR has gradually paved its road during the last five decades from an autocratic ad-hoc policy to a quasi-inclusive socio-political approach. Tehran, as the bicentennial capital of Iran, has always embraced pioneering examples of AR breakthroughs. This article provides a concise policymaking context-based narrative anthology of contemporary AR experience in Tehran through the reading out of the contemporary fluctuations of policies, and the comparative analogy of selected cases. The anthological view focuses on the evolution of the socio-cultural conditions, putting forward the role of policymaking procedures on the AR paradigm. The comparative analogy, then, will frame the typological, cultural, and strategic aspects of the projects to demonstrate the context and objectives of the policy. The fusion of these two processes shows that contrary to the altering situation of heritage policies, the AR has had a growing trend towards a pre-creativity phase, and implicit emancipation from autocracy. It seems that despite the continuity of the ‘top-down’ policymaking, the AR paradigm could take a more creative and autonomous role in the coming years.

与发起该方法的国家相比，伊朗建筑物的自适应再利用（AR）具有不同的文化背景。在过去的五十年中，AR已逐步从专制专制政策过渡到准包容性社会政治方法。作为伊朗两百周年首都的德黑兰一直以来都是AR突破的先锋范例。本文通过阅读当代政策的波动以及所选案例的比较类比，提供了一个基于决策的基于语境的简明叙事当代德黑兰经验叙事文集。选集观点着眼于社会文化条件的演变，提出了决策程序在AR范式上的作用。这样，比较类比将构成类型学，项目的文化和战略方面，以证明政策的背景和目标。这两个过程的融合表明，与遗产政策的变化情况相反，AR的发展趋势正朝着创造前的阶段发展，并暗含了从独裁统治中解放出来的趋势。看起来，尽管“自上而下”的政策制定是连续的，但AR范式在未来几年中可能会发挥更大的创造力和自主性作用。