In the framework of a large‐scale investigation of post‐1453 ce icons, the blue and green pigments on more than 50 works were investigated. Studied works date from the mid‐15th to the mid‐19th centuries and originate from various modern‐day Greek regions. Results indicate the use of both natural and artificial pigments; among the latter, the very poorly documented in Greek icons artificial Cu‐based blue is included. A shift as regards the use of specific pigments is reported and local trends are compared with the contemporary Western European ones. Relevant terms found in the renowned Hermeneia craftsman's handbook are also discussed in an attempt to restore pertinent misconceptions.

中文翻译：

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关于拜占庭后的希腊图标的蓝色和绿色颜料

在对1453年后ce图标的大规模调查的框架内， 对50多个作品中的蓝色和绿色颜料进行了调查。研究的作品可追溯至15世纪中叶至19世纪中叶，起源于现代希腊各个地区。结果表明使用天然和人造颜料。在后者中，包括了希腊图标中很少有文献记载的人造铜基蓝色。据报道，在使用特定颜料方面发生了变化，并将当地趋势与当代西欧的趋势进行了比较。还讨论了著名的Hermeneia工匠手册中的相关术语，以期恢复相关的误解。