This article explores a religious community in Algeria where, with the ignition and structure of ritual music, a wide spectrum of trance processes are explicitly cultivated so that pain and suffering can be engaged, moved, and expressed through trance dancing. The way that trance is described in d̄ıwān indicates that it is understood as emerging primarily from the realms of feelings, particularly the dialectical role of painful feelings. Furthermore, varieties of trance are named and indexed either by the sorts of affects they involve or as types of actions that trance feels like. Thus, rather than trance being something of the “mind” here, it is an affective experience, ordered by how it feels. This article takes a close-up, sensory ethnographic approach to flesh out the rich, detailed taxonomy of feeling intensities that are used to describe how trance feels, examining what tranced suffering does both socially and personally. [affect, body, suffering, Sufism, trance]

中文翻译：

---

音乐和恍惚作为应对痛苦的方法

本文探讨了阿尔及利亚的一个宗教社区，在那里，借助仪式音乐的点燃和结构，明确培养了广泛的恍惚过程，以便可以通过恍惚舞蹈来参与、移动和表达痛苦和痛苦。d̄ıwān 中描述出神的方式表明，它被理解为主要来自感情领域，尤其是痛苦感情的辩证作用。此外，各种恍惚的命名和索引要么是根据它们所涉及的影响类型，要么是按照恍惚感觉的动作类型。因此，恍惚不是这里的“心灵”，而是一种情感体验，由感觉如何排序。本文采用特写、感官人种学方法来充实富人，用于描述恍惚感觉的感觉强度的详细分类，检查了恍惚的痛苦对社会和个人的影响。[影响，身体，痛苦，苏菲派，恍惚]